Difference between revisions of "TITEL (LFS01989)"

 
Line 7: Line 7:
 
|video=LFS_01989_Frankreich_1940
 
|video=LFS_01989_Frankreich_1940
 
|institution_dorigine=Haus des Dokumentarfilms
 
|institution_dorigine=Haus des Dokumentarfilms
|coloration=Schwarzweiß
+
|coloration=Noir_et_blanc
|son=Stummfilm
+
|son=Muet
 
|timecode=00:03:42
 
|timecode=00:03:42
 
|duree=00:00:00
 
|duree=00:00:00
|genre=Amateurfilm
+
|genre=Film_amateur
 
|format_original=16 mm
 
|format_original=16 mm
 
|droits=Landesfilmsammlung BW
 
|droits=Landesfilmsammlung BW
Line 22: Line 22:
 
|Resume_de=Eine Reise nach Frankreich 1927 und Besuch der Kriegsgräber am Chemin des Dames
 
|Resume_de=Eine Reise nach Frankreich 1927 und Besuch der Kriegsgräber am Chemin des Dames
 
|Description_de=Familie beim Baden in der Mosel; Ansichten der Kathedrale von Laon; deutsche Kriegsgräber auf dem Chemin de dammes.
 
|Description_de=Familie beim Baden in der Mosel; Ansichten der Kathedrale von Laon; deutsche Kriegsgräber auf dem Chemin de dammes.
|Contexte_et_analyse_en=The silent black and white film in 16mm format, shot in 1927, documents a family trip to France with two young children. After swimming in the Moselle, the film shows the front of the Notre-Dame Cathedral in Laon and visits to German and French war graves on the Chemin des Dames.
+
|Contexte_et_analyse_en=[[Fichier:Chemin de Dames 2 Foto Kriegs Bild und Filmamt.JPG|vignette|Characteristic battle field at the Chemin de Dames 1917 (Foto: Kriegs-Bild und Filmamt)]]
 +
 
 +
The silent black and white film in 16mm format, shot in 1927, documents a family trip to France with two young children. After swimming in the Moselle, the film shows the front of the Notre-Dame Cathedral in Laon and visits to German and French war graves on the Chemin des Dames.
  
 
The first 44 seconds of the film show two women and a child bathing in the French Moselle. The women wear bathing suits and hats while the boy is naked. The child looks dissatisfied into the camera when one of the women comes into the picture and dips him backwards into the water. Then both leave the Moselle and join the family. In the next sequence, the boy kisses a baby lying on a blanket several times on the face. The second motif is 77 seconds long and shows views of Notre-Dame Cathedral in Laon. The camera is rotated by hand without a tripod. She pans the front of the cathedral from bottom to top several times, changing the exposure. This is why one setting is darker than the first few sequences. The third part of the film lasts 2:09 minutes and shows the war graves from the First World War on the Chemin des Dames. The thousands of black and white crosses standing there give an idea of ​​the devastating brutality of the battle and the high number of fallen soldiers. The filmmaker records the war graves from the center of the cemetery by rotating once 360 ​​degrees.
 
The first 44 seconds of the film show two women and a child bathing in the French Moselle. The women wear bathing suits and hats while the boy is naked. The child looks dissatisfied into the camera when one of the women comes into the picture and dips him backwards into the water. Then both leave the Moselle and join the family. In the next sequence, the boy kisses a baby lying on a blanket several times on the face. The second motif is 77 seconds long and shows views of Notre-Dame Cathedral in Laon. The camera is rotated by hand without a tripod. She pans the front of the cathedral from bottom to top several times, changing the exposure. This is why one setting is darker than the first few sequences. The third part of the film lasts 2:09 minutes and shows the war graves from the First World War on the Chemin des Dames. The thousands of black and white crosses standing there give an idea of ​​the devastating brutality of the battle and the high number of fallen soldiers. The filmmaker records the war graves from the center of the cemetery by rotating once 360 ​​degrees.
 +
 +
[[Fichier:Chemin de Dames 4 Foto Kriegs Bild und Filmamt.JPG|vignette|German infantry crosses the Chemin des Dames on May 27, 1918 (Foto: Kriegs-Bild und Filmamt)]]
  
 
The early Gothic Notre-Dame Cathedral of Laon was built within eighty years from 1155. Its five-tower architecture makes this Gothic house of worship a masterpiece of its time. Together with the Notre-Dame Cathedral in Paris, it served as a model for northern French construction in the 13th century: the cathedrals of Reims and Chartres followed this tradition. The recordings focus on the front with the towers and the rose window with a glass window in nine parts, which represents the seven liberal arts and medicine.
 
The early Gothic Notre-Dame Cathedral of Laon was built within eighty years from 1155. Its five-tower architecture makes this Gothic house of worship a masterpiece of its time. Together with the Notre-Dame Cathedral in Paris, it served as a model for northern French construction in the 13th century: the cathedrals of Reims and Chartres followed this tradition. The recordings focus on the front with the towers and the rose window with a glass window in nine parts, which represents the seven liberal arts and medicine.
  
 
With the battles of Verdun, Agonne, la Somme and Ypres, the Chemin des Dames is one of the most important battlefields of the First World War. After three years of hopeless war, the Commander-in-Chief of the French Army, Robert Nivelle, decided to launch a decisive offensive on the western front near Chemin des Dames in the spring of 1917. At the same time, on the German side, General Erich von Ludendorff ordered his troops to retreat strategically from the front to secure the Siegfried line. The French General Staff sees the retreat as evidence of the enemy's weakness, without realizing that Nivelle is sending his soldiers into a devastating defeat. The infantry attack on April 16 and 17 turns into a bloody defeat for the French, who are mowed down by the German machine guns. This failed offensive cost Robert Nivelle his place at the head of the French army. It was not until mid-September 1918 that the French, with the help of Italian soldiers, succeed in regaining control of the Chemin des Dames. Between October 11 and 13, 1918, the cities of Cerny, Soupir, Braye-en-Laonnois and Laon were liberated. This ended the fighting at the Chemin des Dames, which went down in history as a defeat on the French side. The numbers speak for themselves: In total, the French have 17,000 dead, 20,000 missing and 65,000 injured. On the German side, the losses are estimated at a total of 35,000 soldiers.
 
With the battles of Verdun, Agonne, la Somme and Ypres, the Chemin des Dames is one of the most important battlefields of the First World War. After three years of hopeless war, the Commander-in-Chief of the French Army, Robert Nivelle, decided to launch a decisive offensive on the western front near Chemin des Dames in the spring of 1917. At the same time, on the German side, General Erich von Ludendorff ordered his troops to retreat strategically from the front to secure the Siegfried line. The French General Staff sees the retreat as evidence of the enemy's weakness, without realizing that Nivelle is sending his soldiers into a devastating defeat. The infantry attack on April 16 and 17 turns into a bloody defeat for the French, who are mowed down by the German machine guns. This failed offensive cost Robert Nivelle his place at the head of the French army. It was not until mid-September 1918 that the French, with the help of Italian soldiers, succeed in regaining control of the Chemin des Dames. Between October 11 and 13, 1918, the cities of Cerny, Soupir, Braye-en-Laonnois and Laon were liberated. This ended the fighting at the Chemin des Dames, which went down in history as a defeat on the French side. The numbers speak for themselves: In total, the French have 17,000 dead, 20,000 missing and 65,000 injured. On the German side, the losses are estimated at a total of 35,000 soldiers.
 +
 +
[[Fichier:Chemin de Dames Laon 6 Foto Kriegs Bild und Filmamt.JPG|vignette|French prisoners of war in the Laon citadel in the spring of 1918 (Foto: Kriegs-Bild und Filmamt)]]
  
 
On the Chemin des Dames and the region around Laon there are fourteen French, nine German, five British cemeteries as well as one American, one Danish and one Italian. The German cemeteries are looked after and maintained by the 'Volksbund Deutsche Kriegsgräberfürsorge'. Rows of black crosses can be seen in the film, pointing to German graves. However, the cemetery cannot be precisely located. For example, a German cemetery in Laon is 'Bousson', which was established by the Germans between 1914 and 1918. There are 2,653 soldiers in individual graves with black crosses. Most of these soldiers died in the battles of the Chemin des Dames in 1917 and 1918. The 'Champ de Maneuver' cemetery was the final resting place for 3,487 fallen German soldiers from 1920 onwards and was built by the French authorities. There are 3,295 individual graves and 193 are in an ossuary because the skeletons could not be assigned to any person. The German military hospital was still in service until 1920, especially for the soldiers who could not be transported. White crosses can also be seen in the film, presumably for French graves. An example of this is the Pontavert cemetery, which was established around 1915 and where 6,815 soldiers are buried. The short film is a haunting reminder of the many victims of the First World War.
 
On the Chemin des Dames and the region around Laon there are fourteen French, nine German, five British cemeteries as well as one American, one Danish and one Italian. The German cemeteries are looked after and maintained by the 'Volksbund Deutsche Kriegsgräberfürsorge'. Rows of black crosses can be seen in the film, pointing to German graves. However, the cemetery cannot be precisely located. For example, a German cemetery in Laon is 'Bousson', which was established by the Germans between 1914 and 1918. There are 2,653 soldiers in individual graves with black crosses. Most of these soldiers died in the battles of the Chemin des Dames in 1917 and 1918. The 'Champ de Maneuver' cemetery was the final resting place for 3,487 fallen German soldiers from 1920 onwards and was built by the French authorities. There are 3,295 individual graves and 193 are in an ossuary because the skeletons could not be assigned to any person. The German military hospital was still in service until 1920, especially for the soldiers who could not be transported. White crosses can also be seen in the film, presumably for French graves. An example of this is the Pontavert cemetery, which was established around 1915 and where 6,815 soldiers are buried. The short film is a haunting reminder of the many victims of the First World War.
  
 
Laurent Kebernik
 
Laurent Kebernik
|Contexte_et_analyse_de=[[Fichier:Chemin de Dames 2 Foto Kriegs Bild und Filmamt.JPG|vignette|Charakteristisches Schlachtfeld beim Chemin de Dames 1917 (Foto: Kriegs-Bild und Filmamt)]]
+
|Contexte_et_analyse_de=[[Fichier:Chemin de Dames 2 Foto Kriegs Bild und Filmamt.JPG|vignette|Charakteritisches Schlachtfeld beim Chemin de Dames 1917 (Foto: Kriegs-Bild und Filmamt)]]
  
 
Der 1927 gedrehte stumme Schwarzweißfilm im 16mm-Format dokumentiert den Ausflug einer Familie mit zwei kleinen Kindern nach Frankreich. Nach dem Baden in der Mosel zeigt der Film die Frontseite der Kathedrale Notre-Dame in Laon und den Besuch deutscher und französischer Kriegsgräber auf dem Chemin des Dames.  
 
Der 1927 gedrehte stumme Schwarzweißfilm im 16mm-Format dokumentiert den Ausflug einer Familie mit zwei kleinen Kindern nach Frankreich. Nach dem Baden in der Mosel zeigt der Film die Frontseite der Kathedrale Notre-Dame in Laon und den Besuch deutscher und französischer Kriegsgräber auf dem Chemin des Dames.  
Line 39: Line 45:
 
Die ersten 44 Sekunden des Films zeigen zwei Frauen und ein Kind beim Baden in der französischen Mosel. Die Frauen tragen Badeanzüge und Badehauben, während der Junge nackt ist. Das Kind schaut unzufrieden in die Kamera, als eine der Frauen  ins Bild kommt und ihn rückwärts ins Wasser taucht. Dann verlassen beide die Mosel und gesellen sich zur Familie. In der nächsten Sequenz küsst der Junge einem auf einer Decke liegenden Baby mehrmals das Gesicht küsst. Das zweite Motiv ist 77 Sekunden lang und zeigt Ansichten der Kathedrale Notre-Dame von Laon. Die Kamera wird aus der Hand gedreht ohne Stativ. Sie schwenkt mehrmals die Vorderseite der Kathedrale von unten nach oben ab, dabei wird die Belichtung verändert. Deshalb ist eine Einstellung dunkler als die ersten Sequenzen. Der dritte Teil des Films dauert 2:09 Minuten und zeigt die Kriegsgräber aus dem Ersten Weltkrieg auf dem Chemin des Dames. Die tausenden dort stehenden schwarzen und weißen Kreuze lassen die verheerende Brutalität der Schlacht und die hohe Zahl der gefallenen Soldaten erahnen. Der Filmemacher nimmt die Kriegsgräber von der Mitte des Friedhofs auf, indem er sich einmal um 360 Grad dreht.  
 
Die ersten 44 Sekunden des Films zeigen zwei Frauen und ein Kind beim Baden in der französischen Mosel. Die Frauen tragen Badeanzüge und Badehauben, während der Junge nackt ist. Das Kind schaut unzufrieden in die Kamera, als eine der Frauen  ins Bild kommt und ihn rückwärts ins Wasser taucht. Dann verlassen beide die Mosel und gesellen sich zur Familie. In der nächsten Sequenz küsst der Junge einem auf einer Decke liegenden Baby mehrmals das Gesicht küsst. Das zweite Motiv ist 77 Sekunden lang und zeigt Ansichten der Kathedrale Notre-Dame von Laon. Die Kamera wird aus der Hand gedreht ohne Stativ. Sie schwenkt mehrmals die Vorderseite der Kathedrale von unten nach oben ab, dabei wird die Belichtung verändert. Deshalb ist eine Einstellung dunkler als die ersten Sequenzen. Der dritte Teil des Films dauert 2:09 Minuten und zeigt die Kriegsgräber aus dem Ersten Weltkrieg auf dem Chemin des Dames. Die tausenden dort stehenden schwarzen und weißen Kreuze lassen die verheerende Brutalität der Schlacht und die hohe Zahl der gefallenen Soldaten erahnen. Der Filmemacher nimmt die Kriegsgräber von der Mitte des Friedhofs auf, indem er sich einmal um 360 Grad dreht.  
  
[[Fichier:Chemin de Dames 4 Foto Kriegs Bild und Filmamt.JPG|vignette|Deutsche Infanterie überschreitet am 27. Mai 1918 den Chemin des Dames (Foto: Kriegs-Bild und Filmamt)]]
+
[[Fichier:Chemin de Dames 4 Foto Kriegs Bild und Filmamt.JPG|vignette|Deutsche Infantrie überschreitet am 27. Mai 1918 den Chemin des Dames (Foto: Kriegs-Bild und Filmamt)]]
  
 
Die frühgotische Kathedrale Notre-Dame von Laon wurde ab 1155 innerhalb von achtzig Jahren errichtet. Ihre Fünftürme-Architektur macht aus diesem gotisch geprägten Gotteshaus ein Meisterstück seiner Zeit. Zusammen mit der Kathedrale Notre-Dame von Paris diente sie im 13. Jahrhundert als Vorbild der nordfranzösischen Bauart: Die Kathedralen von Reims und Chartres stehen in dieser Tradition. Die Aufnahmen konzentrieren sich auf die Frontseite mit den Türmen und der Fensterrose mit einem Glasfenster in neun Teilen, das die sieben Freien Künste sowie die Medizin repräsentiert.  
 
Die frühgotische Kathedrale Notre-Dame von Laon wurde ab 1155 innerhalb von achtzig Jahren errichtet. Ihre Fünftürme-Architektur macht aus diesem gotisch geprägten Gotteshaus ein Meisterstück seiner Zeit. Zusammen mit der Kathedrale Notre-Dame von Paris diente sie im 13. Jahrhundert als Vorbild der nordfranzösischen Bauart: Die Kathedralen von Reims und Chartres stehen in dieser Tradition. Die Aufnahmen konzentrieren sich auf die Frontseite mit den Türmen und der Fensterrose mit einem Glasfenster in neun Teilen, das die sieben Freien Künste sowie die Medizin repräsentiert.  

Latest revision as of 18:53, 21 February 2021


Warning[1]

Abstract


Family trip to France 1927 and visit to German and French war graves on the Chemin des Dames

Description


Familie beim Baden in der Mosel; Ansichten der Kathedrale von Laon; deutsche Kriegsgräber auf dem Chemin de dammes.

Metadata

Reference / film number :  LFS01989
Date :  1927
Coloration :  Black and white
Sound :  Mute
Timecode :  00:03:42
Running time :  00:00:00
Reel format :  16 mm
Genre :  Amateur movie
Archive :  Haus des Dokumentarfilms

Context and analysis


Characteristic battle field at the Chemin de Dames 1917 (Foto: Kriegs-Bild und Filmamt)

The silent black and white film in 16mm format, shot in 1927, documents a family trip to France with two young children. After swimming in the Moselle, the film shows the front of the Notre-Dame Cathedral in Laon and visits to German and French war graves on the Chemin des Dames.

The first 44 seconds of the film show two women and a child bathing in the French Moselle. The women wear bathing suits and hats while the boy is naked. The child looks dissatisfied into the camera when one of the women comes into the picture and dips him backwards into the water. Then both leave the Moselle and join the family. In the next sequence, the boy kisses a baby lying on a blanket several times on the face. The second motif is 77 seconds long and shows views of Notre-Dame Cathedral in Laon. The camera is rotated by hand without a tripod. She pans the front of the cathedral from bottom to top several times, changing the exposure. This is why one setting is darker than the first few sequences. The third part of the film lasts 2:09 minutes and shows the war graves from the First World War on the Chemin des Dames. The thousands of black and white crosses standing there give an idea of ​​the devastating brutality of the battle and the high number of fallen soldiers. The filmmaker records the war graves from the center of the cemetery by rotating once 360 ​​degrees.

German infantry crosses the Chemin des Dames on May 27, 1918 (Foto: Kriegs-Bild und Filmamt)

The early Gothic Notre-Dame Cathedral of Laon was built within eighty years from 1155. Its five-tower architecture makes this Gothic house of worship a masterpiece of its time. Together with the Notre-Dame Cathedral in Paris, it served as a model for northern French construction in the 13th century: the cathedrals of Reims and Chartres followed this tradition. The recordings focus on the front with the towers and the rose window with a glass window in nine parts, which represents the seven liberal arts and medicine.

With the battles of Verdun, Agonne, la Somme and Ypres, the Chemin des Dames is one of the most important battlefields of the First World War. After three years of hopeless war, the Commander-in-Chief of the French Army, Robert Nivelle, decided to launch a decisive offensive on the western front near Chemin des Dames in the spring of 1917. At the same time, on the German side, General Erich von Ludendorff ordered his troops to retreat strategically from the front to secure the Siegfried line. The French General Staff sees the retreat as evidence of the enemy's weakness, without realizing that Nivelle is sending his soldiers into a devastating defeat. The infantry attack on April 16 and 17 turns into a bloody defeat for the French, who are mowed down by the German machine guns. This failed offensive cost Robert Nivelle his place at the head of the French army. It was not until mid-September 1918 that the French, with the help of Italian soldiers, succeed in regaining control of the Chemin des Dames. Between October 11 and 13, 1918, the cities of Cerny, Soupir, Braye-en-Laonnois and Laon were liberated. This ended the fighting at the Chemin des Dames, which went down in history as a defeat on the French side. The numbers speak for themselves: In total, the French have 17,000 dead, 20,000 missing and 65,000 injured. On the German side, the losses are estimated at a total of 35,000 soldiers.

French prisoners of war in the Laon citadel in the spring of 1918 (Foto: Kriegs-Bild und Filmamt)

On the Chemin des Dames and the region around Laon there are fourteen French, nine German, five British cemeteries as well as one American, one Danish and one Italian. The German cemeteries are looked after and maintained by the 'Volksbund Deutsche Kriegsgräberfürsorge'. Rows of black crosses can be seen in the film, pointing to German graves. However, the cemetery cannot be precisely located. For example, a German cemetery in Laon is 'Bousson', which was established by the Germans between 1914 and 1918. There are 2,653 soldiers in individual graves with black crosses. Most of these soldiers died in the battles of the Chemin des Dames in 1917 and 1918. The 'Champ de Maneuver' cemetery was the final resting place for 3,487 fallen German soldiers from 1920 onwards and was built by the French authorities. There are 3,295 individual graves and 193 are in an ossuary because the skeletons could not be assigned to any person. The German military hospital was still in service until 1920, especially for the soldiers who could not be transported. White crosses can also be seen in the film, presumably for French graves. An example of this is the Pontavert cemetery, which was established around 1915 and where 6,815 soldiers are buried. The short film is a haunting reminder of the many victims of the First World War.

Laurent Kebernik

Places and monuments


Laon; Kathedrale Notre-Dame Laon; Chemin des Dames

Bibliography


La Cathédrale Notre-Dame ; Laon.fr L’histoire a un avenir: http://laon.fr/VILLE_LAON_21_WEB/FR/Accueil.awp?page=101. (konsultiert 15. 12.2020); Das Scheitern der französischen Offensive auf dem Chemin des Dames, wegedererinnerung-nordfrankreich.com , http://www.wegedererinnerung-nordfrankreich.com/die-geschichte/schlachten/das-scheitern-der-franzoesischen-offensive-auf-dem-chemin-des-dames.html. (konsultiert 15. 12.2020); Le Chemin des Dames dans la Grande Guerre, Chemin des Dames Caverne du Dragon et Mémorial virtuel: https://www.chemindesdames.fr/fr/le-chemin-des-dames/histoire/les-evenements-et-la-memoire/le-chemin-des-dames-dans-lhistoire/le-chemin-des-dames-dans-la-grande-guerre. (konsultiert 15. 12.2020); Les grandes batailles du Chemin des Dames Le chemin des Dames dans la Première Guerre mondiale, Chemin des Dames Caverne du Dragon et Mémorial virtuel: https://www.chemindesdames.fr/fr/le-chemin-des-dames/histoire/les-evenements-et-la-memoire/les-grandes-batailles-du-chemin-des-dames-0. (konsultiert 15. 12.2020); Les cimetières du Chemin des Dames, Chemin des Dames Caverne du Dragon et Mémorial virtuel: https://www.chemindesdames.fr/fr/le-chemin-des-dames/visiter/les-lieux-de-memoire/les-cimetieres-du-chemin-des-dames. (konsultiert 15. 12.2020); Les cimetières militaires français du Chemin des Dames, Chemin des Dames Caverne du Dragon et Mémorial virtuel: https://www.chemindesdames.fr/fr/le-chemin-des-dames/visiter/les-lieux-de-memoire/les-cimetieres/les-cimetieres-militaires-francais-du-chemin-des-dames. (konsultiert 15. 12.2020); Le cimetière français de Pontavert, Chemin des Dames Caverne du Dragon et Mémorial virtuel: https://www.chemindesdames.fr/fr/le-chemin-des-dames/visiter/les-lieux-de-memoire/les-cimetieres/cimetieres-francais/le-cimetiere-francais-de-pontavert. (konsultiert 15. 12.2020);

Les cimetières militaires allemands du Chemin des Dames, Chemin des Dames Caverne du Dragon et Mémorial virtuel: https://www.chemindesdames.fr/fr/le-chemin-des-dames/visiter/les-lieux-de-memoire/les-cimetieres/les-cimetieres-militaires-allemands-du-chemin-des-dames. (konsultiert 15. 12.2020); Le cimetière allemand de Laon « Bousson », Chemin des Dames Caverne du Dragon et Mémorial virtuel: https://www.chemindesdames.fr/fr/le-chemin-des-dames/visiter/les-lieux-de-memoire/les-cimetieres/cimetieres-allemands/le-cimetiere-allemand-de-laon-bousson. (konsultiert 15. 12.2020); Le cimetière allemand de Laon « Champ de Manœuvre », Chemin des Dames Caverne du Dragon et Mémorial virtuel: https://www.chemindesdames.fr/fr/le-chemin-des-dames/visiter/les-lieux-de-memoire/les-cimetieres/cimetieres-allemands/le-cimetiere-allemand-de-laon-champ-de-manoeuvre. (konsultiert 15. 12.2020).



  1. This film analysis is still in progress. It may therefore be incomplete and contain errors.